A lot of disjointed moments limited the rate of laughs from the audience to a point that the ending became quite sour. Yes it was funny but it was a very disorganized film that prevented itself from being one of the better stand-up films-even though it was leagues under classics like Eddie Murphy's Raw and Richard Pryor's Live on the Sunset Strip. I strongly believe that it wasn't originally planned at the start of the tour because of the way the film turned out. In the midst of his tour they decided to make a film out of it. Hart claims the incident actually happened, but his account is neither convincing nor all that funny.Kevin Hart has risen from underground sensation to a mainstream comedian with a massively successful tour that rivals that of Eddie Murphy's conquering of the 80s. Recognizable depictions of relationship strife eventually give way to extreme episodes, like a story in which his wife tries to keep tabs on him by hiding in his trunk when he leaves the house. After taking pains to say he respects his ex-wife and their break was amicable (or “applicable,” as he puts it), he proceeds to paint her as jealous to the point of insanity, mimicking her accusatory postures and rants in ways the crowd eats up.
Hart’s introductory material envisions the film as a chance to clear the air about controversies that have emerged as his fame has increased (a DUI arrest this April, for instance), but the bulk of the performance is about the misbehavior and personality conflicts that led to his 2010 divorce. He even cracks himself up a couple of times, once laughing so long he has to abandon a bit about bums and finish it a few moments later.
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Though the material may occasionally lag for movie theater audiences, onscreen evidence suggests he did actually kill in person. Hart says he got that idea from a couple of up-and-coming entertainers called Jay-Z and Kanye West, and he isn’t above using the pyrotechnics to pat himself on the back: Multiple times during the set, he tells the crowd “I’m f-in’ killin’!” and triggers the flames. Before we get to his sold-out Madison Square Garden show, the film offers a sequence documenting his Canadian/European tour, with “We love Kevin!” post-concert fan interviews growing tiresome quickly.įinally - 16 minutes in, and after a quick backstage prayer - we see the comedian take to the MSG stage, announced by a half-dozen jets of open flame. Padding less than an hour’s worth of on-stage material into something approaching theatrical feature length, the film begins with a staged set-up in which critics pepper Hart with rumors and accusations (“Is it true you don’t f- with dark-skinned girls any more?”), prompting him to instruct his manager to “Call the Garden, tell them I’m coming down there” to explain himself.
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Diverting but not enough to expand Kevin Hart‘s fan base much, the film should be no less commercially attractive than 2011’s Laugh at My Pain and will prime fans for a full slate of upcoming appearances in features such as Ride Along. Self-deprecation and ambition rub against each other in Kevin Hart: Let Me Explain, a cinematically thin document of a stand-up tour that aimed to present the comedian as an ascendant pop star.
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